Outbound: "My library was dukedom large enough."

"When this baby hits 88 miles per hour..."

In honour of the forthcoming tenth edition of Tales of the Cocktail - which, coincidentally marks my first attendence - I've been spending a fair bit of time thinking about the Sazerac. It's often cited as the world's oldest cocktail (though the burden of proof suggests otherwise) but I think it represents something far more interesting. The Sazerac, you see, is a time machine.

It's a relic of an age of drinking very different to the one we have now. Its creation is tied to two specific occurrences - the entry of one Antoine Amedie Peychaud into the manufacture of medicinal bitters (sometime around 1830; the Sazerac Company, who do have a horse in the race, specifically date the drink's creation to 1838) and the establishment of the Merchant's Exchange Coffee House (later the Sazerac House) in New Orleans - and both happen before molecular mixology was a thing, before super-premium vodka was thing, before the light, sour style of cocktail found in places like Cuba and Mexico gain prominence during US prohibition became a thing, even before vermouth was a thing.

If anything, the Sazerac is a product of constraint. It's arguably as good of a drink as can be made from its four ingredients and even those have been informed by constraint. The original formulation called for a Cognac base which changed to rye whiskey after the phylloxera blight ended the former's run as the world's pre-eminent spirit; the absinthe rinse was modified to a less intense, more legal substitute following the US ban on La Fée Verte in 1912; whenever an ingredient became unavailble, the recipe was amended to suit what was available. Its survival and enduring popularity really is a testament to not being dogmatic about a recipe.

These days, if someone creates a recipe along similar lines to a Sazerac, or its close cousin, the Old-Fashioned, it's a conscious choice to reject the possibilities offered by the sheer range of ingredients available. Conversely, the Sazerac itself rejects those possibilities not because its creator wanted to but rather because he had no choice other than to do so; those things just weren't available. Trying a Sazerac today is taking a step back to a time when bartenders didn't have a lot to work with and worked wonders with what they had.

In another startling break with tradition, we're presenting this recipe in video form.

The Sazerac from Jon Hughes on Vimeo.

Sazerac

50ml rye whiskey or Cognac
3 dashes Peychaud's Bitters
1 barspoon sugar syrup
~10ml absinthe

Stir the first the ingredients with ice and strain into a chilled, absinthe-rinsed* glass. Twist and discard a lemon zest to garnish.

*To rinse the glass, either fill it with ice, add a small amount of absinthe and discard the contents of the glass before straining in the other other ingredients, or you could - as in the video - simply pop some absinthe in an atomiser.

OT OTT

I never realised cocktail competitions could go to overtime. I've been involved with a couple of tiebreakers over the years but quadruple overtime was a new one.

I was almost glad I wasn't involved. Our host, 42 Below brand ambassador Metinee Kongsrivilai, had revealed that two out of three places on the team to represent Scotland at the UK qualifier for the 2012 42 Below Cocktail World Cup had already been claimed by Jamie MacDonald, last year's UK representative in the Global World Class final, and Danil Nevsky, recently a world finalist in the Bols Around the World competition and the third spot came down to a choice between Jody Buchan from 99 Bar & Kitchen in Aberdeen  and Megs DeMeulenaere from Edinburgh's Bramble. The final member of Team Scotland would be decided by a pour test: whoever nailed free-poured measures of both 25ml and 50ml would make the cut. That turns out to be difficult to do if both bartenders never free pour ingredients and so, having matched each other for three rounds, Megs grabbed victory on a single 50ml measure.

42 Below Honey

The Cocktail World Cup has a reputation for being one of the more intense of the major global competitions so I guess it's somewhat appropriate that the first UK regional ended in sudden death.

I might not have been involved in the overtime shenanigans but I was happy with the drink I entered. Given that the winning recipes included a drink that changed colour, a slushy served beside its own beach of flavoured sand and a blue curaçao sea and a Piña Colada flavoured with the barrel essence rotovaped from an aged rum, I can see that maybe the following offer was lacking in a little of the madcap x-factor required.

Clockwork Heart

45ml 42 Below Honey
15ml Creme de Peche
10ml green tea syrup
20ml lemon juice

Shake all ingredients with ice and fine-strain into a chilled cocktail glass. Garnish with a twist of orange zest.

Green tea syrup

400g caster sugar
200ml hot water
15g loose leaf green tea

Add the sugar to water in a large heatproof measuring jug. Add the tea and let it soak for 30mins. Strain the tea from the mixture and bottle; it should keep for up to 14 days.

One day in June

I've made this point before, but if January 25th can be designated No Name Calling Day and the last Wednesday in April marks Administrative Professionals' Day, then it is only right and proper that the second Saturday of June be set aside for World Gin Day. Instituted by Neil Houston (a.k.a. @yetanothergin) in 2009, today is an opportunity to celebrate a spirit that has had its ups and downs. While the popularity of gin today isn't at the level of the early-to-mid 19th Century - when its widespread availability led to what is now known as the Gin Craze and represents one of those rare occasions where the word 'craze' is a massive understatement - it has never been easier to find as wide a selection of really high quality products. Distillers across the world are finding new botanicals and techniques to bring to bear on production and bartenders and drinks enthusiasts are constantly breaking new ground in finding new ways to taste and explore those differing expressions.

My own contribution to this year's festivities works best, I think, with a juniper-forward, citrus heavy gin like Bombay Dry or Sipsmith, but your mileage, as ever, may vary. I also wanted to include a touch of Kamm & Sons Ginseng Spirit because I know the production and flavour of gin was a definite influence on how that particular spirit was conceived.

chauffeur_driven_dream.jpg

Chauffeur-driven Dream

45ml gin
15ml Kamm & Sons Ginseng Spirit
10ml orgeat
15ml lemon juice
2 dashes Regan's Orange Bitters

Shake all ingredients with ice and fine-strain into a chilled 7-8oz cocktail glass. Garnish with a twist of grapefruit zest.

*** 

Though it may represent the opportunity to do so, days like World Gin Day aren't about drinking until you fall over. It's more about finding a fresh approach something that you might find very familiar so if you do one thing today, leave off the tonic water and try something new.

Labwork 3: Fizzy

Once upon a time, I had a notion to write a semi-regular series of posts about exploring this idea of molecular mixology. It's been a while since I did one. The gap isn't because molecular techniques aren't an interesting area of innovation. Way back, I split approaches to molecular mixology into two fairly broad categories - equipment led, and ingredient led. The thing is, a lot of the time, that equipment or those ingredients can be pricy in terms of both money and time. With that said, I've still managed to find a little of both to try out a couple of things. One of my recent acquisitions is a Perlini cocktail carbonation system. It sounds pretty impressive and, seeing as it cost me £150 (they've gotten a little cheaper since I got one), it really should be.

Perlini

For your money, you get a suitcase that bears a passing resemblance to those handcuffed to secret agents in movies containing a the mutant child of a bell jar, a T-Virus canister, and a three-piece shaker, and a small black gadget that holds a 16g CO2 charger and looks kind of like a sex toy. There's a one-way valve built into the top of the shaker and the process is simple enough: shake your drink as normal and then feed the carbon dioxide into the shaker. Leave for 30 secs and all of sudden, you have fizzy cocktails.

Carbonating cocktails is undoubtedly fun but while a fizzy daiquiri tastes equal parts of amazing and uncanny, I don't know if it's much more than a novelty and it took a while for me to happen upon a good reason to use the technique. Sloane's Gin had started up a cocktail competition and were asking for entries based on the idea of "twisted traditions" and I chose the Gin & Tonic as the tradition I wanted to play with.

It wasn't a totally random choice: Sloane's Gin is named for Sir Hans Sloane, the first medical practitioner in Britain to be granted a hereditary title, a former president of both the Royal College of Physicians and the Royal Society, and doctor to three successive monarchs (Queen Anne, George I and George II) and that fitted in well with gin's origins as medicine. I also remembered that while British colonists were partial to tonic water as their preferred preventative against malaria, French colonists would turn to aperitif wines such as Byrrh and Lillet to get their fix of quinine. The idea came together pretty quickly after that: combine the British - gin - with the French - tonic wine - and use carbonation to present something that's reminiscent of a classic Gin & Tonic but at the same time something new as well.

French Tonic

35ml Sloane's Dry Gin
25ml Lillet Blanc
15ml lemon juice
10ml sugar syrup

Combine all ingredients in Perlini shaker; shake with ice; charge with CO2 and reserve for ~30 seconds. Strain into an ice-filled highball and garnish with a twist of orange zest and a twist of lemon zest.

There are a couple of interesting foibles to this recipe; for one, I've generally found that I've had to make drinks a little sweeter than I normally would before carbonating them (hence the 10ml of sugar syrup) and that seems to be down to the carbon dioxide itself. The citrus flavours of Lillet Blanc work really well with the botanicals in Sloane's and provide a nice counterpoint to its dominant vanilla note.

The carbonation is the key part of the drink. It allows me to present something that plays on our expectation of an instantly recognisable drink and that's always an interesting area to play around in. The Perlini system isn't the only way to make drinks fizzy - honestly, it might not be the best way, particularly if you're planning on making them in any great volume but it's turning into a useful tool for me to broaden my horizons.